Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
lionardos sjalvportratt anses vara malat omkring 1515 allsa nagra ar efter det att rafael fullbordat fresk

ID: 61202

unknow artist lionardos sjalvportratt anses vara malat omkring 1515 allsa nagra ar efter det att rafael fullbordat fresk
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unknow artist lionardos sjalvportratt anses vara malat omkring 1515 allsa nagra ar efter det att rafael fullbordat fresk


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unknow artist

  Related Paintings of unknow artist :. | Cardinal Matthaus Lang von Wellenburg | Paris Street | Natureza-morta | portratt av savnarola som framhaver den fanatiske botpradi kantens intensiva och asketiska drag | The Mary Rose |
Related Artists:
tacuinum sanitatis
1673 late sixteenth century
Georg Anton Rasmussen
1842-1914 paint Norsk fjordlandskap
Phillips, Ammi
American Folk Artist, 1788-1865 American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,






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